cahn: (Default)
[personal profile] cahn
Raybearer (Ifueko) - 3+/5. Lodestar reading. West African-inspired fantasy where a young woman is chosen to be one of the "Eleven," the teenage future council and protectors of the teenage crown prince. There were a lot of really great things about this book; I especially appreciated the world and the details of it. And Tarisai was an engaging character, and it had a fair amount of page-turning compelling quality to it, and several interesting plot twists and themes (not perhaps super twisty to an adult, but nicely done for a YA), and at least one part I found genuinely moving.

That being said, it's pretty clearly a first book, with a fair amount of tell-not-show and a fair amount of characters making choices that are less because those choices flow organically out of their characters and more because, well, the character needed to be at place X at time Y to get the plot to work. I probably would not have gotten all the way through it had it not been not-a-Hugo homework. That being said, I am glad I got through it; I have read a lot of first books (and not finished more) that were far worse; and it has enough decided strengths that I wouldn't be upset if it won the Lodestar -- but Deadly Education is quite a bit better in terms of skill and craft and is still the one to beat, for me. I mean, not surprising, Novik has written how many books now? A lot, and improved every time. And I could totally see Ifueko working through these issues once she has a couple more novels under her belt. I'm interested to read more from Ifueko, and I'll definitely be reccing this one to E to read in a couple of years.

The Fortunate Ones (Tarkington) - 3+/5. Boy from the wrong side of the tracks gets a chance to attend a posh prep school and bond with one of the golden boys there -- and gradually learns the extent of the dysfunctionality he's signed up for. Actually I loved the writing in this, and there were a couple of compelling characters, and it was about prep schools and the messed-up lives of the rich, which is super my jam, so I was prepared to love it -- but the pacing was so odd that it made me like it a lot less. Sometimes long periods of time would skip by, kind of randomly, in ways that often meant we were disconnected from both the characters we'd come to know before the skip and from the new characters who happened to pop in after the time skip. And also sometimes major events would happen during a time skip which only were briefly mentioned by a character later, which blunted the emotional response to them. I think it either needed to be shorter (without so many time skips) or longer (filling in some of those gaps). (I think the gaps were because the writer didn't want to deal with what was going on in those gaps, mind you -- but it just didn't work for me.)

Date: 2021-05-25 10:38 pm (UTC)
likeadeuce: (Default)
From: [personal profile] likeadeuce
Oh i just read the description of 'The Fortunate Ones' i'm gonna have to try that

Date: 2021-05-26 06:12 pm (UTC)
likeadeuce: (oldfriends)
From: [personal profile] likeadeuce
I'm just (1) really into Gatsby (2) thinking i'm going to read this and ship the dudes

Date: 2021-05-26 12:44 am (UTC)
hamsterwoman: (Default)
From: [personal profile] hamsterwoman
I'm really intrigued by everything I've heard about Raybearer, but yours is the first write-up that also had some criticism to share, which I'm grateful for, because I'd rather go in with realistic expectations and enjoy it than go in expecting it to be the best thing ever and encounter an impressive debut but one that has the flaws of a first book.

(Meanwhile, I'm working my way through the Hugo novellas and have finally hit one I'm actually enjoying... XP)

Date: 2021-05-26 05:11 am (UTC)
hamsterwoman: (Default)
From: [personal profile] hamsterwoman
It is Ring Shout, actually :) Which I hadn't expected to enjoy this much, but that seems to be my general trajectory with Clark -- he writes stories that aren't necessarily my thing, but his narration and characters are so fun that I end up enjoying them anyway.

Empress is the one I was most looking forward to, though, so your hunch will hopefully also prove correct -- it's just that there were more holds on that one than the rest, so I'm still waiting for the library to deliver.

and having read the Gailey myself I'm pretty sure it's not that :P

Yeah, it is not that :P (that one's currently ranked last for me, probably, although to my surprise I did not hate it! Surprise because I have hated every previous Hugo-nominated Sarah Gailey thing I've read ("STET" and River of Teeth).

And you are also correct about the McGuire, which I'm picking my way through at 12% but keep dropping as soon as anything more interesting comes along, which is pretty much anything.

I have actually also read Finna, and it was one of the duds for me (which does make me a bit sad, as I had higher hopes based on enjoying some other stuff of Nino Cipri's). But I think maybe their stuff works better for me in the short form, like, flash-fiction sized.

Date: 2021-05-26 06:03 pm (UTC)
From: [personal profile] cenozoicsynapsid
Surprise because I have hated every previous Hugo-nominated Sarah Gailey thing I've read ("STET" and River of Teeth).

Which one is STET? I have had mixed experiences with Gailey; I loved Magic for Liars and found The Echo Wife deeply insightful about its characters, in a horrible way. Didn't get much out of Upright Women, beyond a strong vibe of "written for someone who is Not You."

Date: 2021-05-26 07:07 pm (UTC)
hamsterwoman: (Default)
From: [personal profile] hamsterwoman
"STET" is the short story written (almost) entirely in editor's notes (I was going to say more, but maybe you want to read it for yourself so I won't spoil it).

Magic for Liars I have not read (I love magic schools, but I'm worried that would just up my chances of bouncing off it, given my track record with Gailey; though the fact that I did not hate Upright Women makes me cautiously consider it might be worth a try) and had not heard anything about The Echo Wife. Having looked up a writeup of it, I can see how it could be insightful in a horrible way.

I think fundamentally my problem with the Gailey I've read is that I find their constructs (characters, worlds) simplistic and too black and white for my taste. Admittedly, that could be partly because I've mostly read their early work; if they're outgrowing this tendency, that would be reassuring.

(I couldn't tell from Upright Women, because, like you, mostly it felt like it was Not For Me -- just, interested in the various aspects of its premise in pretty much inverse proportion to the parts *I* was interested in as a reader.)

Date: 2021-05-26 11:46 pm (UTC)
From: [personal profile] cenozoicsynapsid
Well, I liked STET, so thanks for the link, but on the other hand, you may want to take that into account when down-weighting my opinions of the rest of Gailey's work. I think STET showcases something that Gailey does well, which is to write unreliable narrators. The narrator of Magic for Liars will tell you all about what it means to be "magic"--- what it means that her sister is and she isn't. I felt like the book invited me to decide for myself just how much of what she said was true and how much was self-serving. (The narrator of The Echo Wife is also wrong about pretty much everyone she knows, and I spent the first few chapters wondering if Gailey knew how unsympathetic she sounded. By the end of the book, I'd decided it was very intentional.)

I'd be curious to hear how Cahn thinks Magic for Liars stacked up versus A Deadly Education, since both of them are clearly playing off the Harry Potter series. Magic in HP is a fantasy about being "special" that I think I definitely had as a child as well. Of course, Harry gets to enjoy that (he's super-special) and resent it (he's still locked out of the ultra-privileged inner circle of old Wizarding families that Draco comes from) at the same time, which also rings true to my childhood experiences. Novik and Gailey both seem interested in more adult takes on it.

Date: 2021-05-28 02:25 am (UTC)
From: [personal profile] cenozoicsynapsid
No, you're right, of course--- the editor character doesn't work. The author, yes. I can easily imagine Anna taking her 9 months bereavement leave, working on and off on what she tells herself is just a legitimate article on ethics and self-driving cars, not speaking to anyone, getting further and further away from legitimate academic writing. But then in real life, the editor would get halfway through marking it up, shove it aside, and write a personal letter instead. I suppose the trick in Pale Fire, which is the first other thing I can think of that uses this conceit, is to have the writer be relatively sane and the editor completely unhinged. But I liked it anyway, even if the trick doesn't completely work.

Date: 2021-05-31 05:10 am (UTC)
hamsterwoman: (Default)
From: [personal profile] hamsterwoman
now I'm wondering about writing the story where the editor itself is an AI, which would neatly solve the problem of the editor being clueless in that particular human-emotional-subtext way.

Now THAT actually sounds really cool!

The editor doesn't work for me in "STET". The author -- I could find her plausible, but I feel like I'm supposed to also find her in the right in this exchange, and, like, no. I mean, obviously I sympathize, given the tragedy (as a parent, moreover), but the particular choice of tragedy just feels both implausible and emotionally manipulative, so I can't even fully do that.

Date: 2021-05-31 05:14 am (UTC)
hamsterwoman: (Temeraire -- math-off)
From: [personal profile] hamsterwoman
I'm glad to have introduced you to it, then! :) (For all that I really disliked it, I did find it a story that I kept thinking about, so it's definitely doing something interesting, and I'm glad to have read it.)

Magic for Liars stacked up versus A Deadly Education, since both of them are clearly playing off the Harry Potter series.

This further intrigues me about Magic for Liars. (I enjoyed the reading experience of A Deadly Education and am looking forward to the sequel -- and am a fan of Novik overall -- but it was also the opposite of what I look for in a magic school story specifically; I really liked El and the writing, but the school itself was too terrible for me to like the book as a magic school story.)

Date: 2021-05-26 01:37 am (UTC)
sophia_sol: photo of a 19th century ivory carving of a fat bird (Default)
From: [personal profile] sophia_sol
I keep intending to read more of the hugos and assorted related nominees! And then I keep getting distracted by fanfic, whoops. I have delayed my ebook delivery of my hold on Raybearer multiple times...... I appreciate your review though, so I know something of what to expect when I finally get there!

Date: 2021-05-26 12:39 pm (UTC)
sophia_sol: photo of a 19th century ivory carving of a fat bird (Default)
From: [personal profile] sophia_sol
Oh wow, November! That's so much time! And yes, I'm looking forward to Hugo fandoming with you too :) Hopefully I find space in my brain for reading actual published books again soon! The Untamed has eaten me whole, apparently.

My library's ebook selection is not amazing either, but it does at least have some stuff, and in the context of the pandemic and how it's going in my region, I like to avoid going into buildings when I don't have to - so I haven't gotten physical books from the library in basically forever at this point. Alas.

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